August 31, 2007

Images Redacted

Brian De Palma is tediously consistent if nothing else.

His Vietnam war fiction "Casualties of War" portrayed American soldiers as rapist thugs merely bidding their time for the opportunity to commit inhuman acts against a bucolic population.

Unlike "Casualties," which was filmed decades after the war in Southeast Asia, De Palma's new film, "Redacted" is an admitted attempt by De Palma to sway world opinion against Americans soldiers while they are actively engaged in combat.


A new film about the real-life rape and killing of a 14-year-old Iraqi girl by U.S. soldiers who also murdered her family stunned the Venice festival, with shocking images that left some viewers in tears.

"Redacted," by U.S. director Brian De Palma, is one of at least eight American films on the war in Iraq due for release in the next few months and the first of two movies on the conflict screening in Venice's main competition.

Inspired by one of the most serious crimes committed by American soldiers in Iraq since the 2003 invasion, it is a harrowing indictment of the conflict and spares the audience no brutality to get its message across.

De Palma, 66, whose "Casualties of War" in 1989 told a similar tale of abuse by American soldiers in Vietnam, makes no secret of the goal he is hoping to achieve with the film's images, all based on real material he found on the Internet.

"The movie is an attempt to bring the reality of what is happening in Iraq to the American people," he told reporters after a press screening.

"The pictures are what will stop the war. One only hopes that these images will get the public incensed enough to motivate their Congressmen to vote against this war," he said.

As noted above, De Palma's film is propaganda to which he proudly admits:


"The pictures are what will stop the war. One only hopes that these images will get the public incensed enough to motivate their Congressmen to vote against this war," he said.

I wonder how this country would have responded if Director John Ford had released a film showing American servicemen raping and killing an innocent Japanese girl in 1943 and murdering her family, instead of the propaganda film December 7.

In 1944, Ford was a commander in the USNR, and watched the June 6, 1944 invasion of Normandy from the USS Plunkett as the destroyer screened troop transports off Omaha Beach, and later landed on sands tinged red with the blood of American soldiers. To this day, most of the film Ford's team of combat cameramen shot on "Bloody Omaha" has never been seen. One may wonder how De Palma would have reacted in such a setting. Would his reaction have been to have noted the sacrifice of America's soldiers, or to vilify them for shooting fair-haired soldiers of the Wehrmacht as their lines collapsed and were overrun?

It seems almost certain that if De Palma covered the battle for Okinawa in 1945, his predilection for vilifying the American military would no doubt have led him to tell the story of the noble schoolteacher who led her classroom of children over the cliffs to their deaths at Humeyuri-no-to, and the bloodthirsty Marines they escaped from into death.

Of course, De Palma isn't making movies during World War Two vilifying AmericaÂ’s soldiers; he's making movies during a current war vilifying Americans soldiers.

What would once have been quickly identified as treasonous or seditious in past conflicts is now something that appears to be quite fashionable among certain aspects of our society.

De Palma and like-minded souls in Venice, Cannes, and Santa Barbara, of course, feel brave for making a film that portrays the young Midwestern privates and southern specialists and street-smart second lieutenants from Jersey on the frontlines as savages, capable and yearning to unleash unbearable cruelty.

As sweat drips in the eyes of soldiers and Marines as they attempt to bring peace to a land that has rarely known it, their enemies will be watching pirated and crudely-dubbed bootlegs of Redacted in training camps in Syria, in mosques in Saudi Arabia, and in homes throughout the Arab world, who already take a suspicious view of the American soldier in Iraq.

We will not see the pictures that would actually win the war, of an Iraqi father wrapping his arms around a suicide bomber to keep him from entering a mosque, or of the Iraqi interpreter who proudly dreams of becoming an American Marine. We won't see American ssaving Iraqi lives, or Iraqis saving American lives, or the brutality of those we fight.

Those, you see, are the pictures that Brian de Palma has redacted.


Blast From the Past: I'd almost forgotten. Venice was a pretty smart choice for De Palma, as the Italians have quite the fetish for dishonest anti-war propaganda.

Posted by: Confederate Yankee at 01:20 PM | Comments (40) | Add Comment
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August 17, 2007

Kracker Boxed

I guess this answers the question of what happens "When the Sun Goes Down."

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